posted by
laramie at 09:40am on 10/04/2007
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My Cross-posted comments from a discussion in another LJ
I've been in the middle of this issue in Mpls since the early 90s. I've never liked the way the Snotty Elitist Musicians tried to distance themselves from all things Filk, splitting Minneapolis into two separate camps of music that don't exist elsewhere in fandom.
I got stuck in the 'Filk' camp, partly* because I do like music about spaceships and aliens and I like putting alternate (related) lyrics to existing music - but that's never been the ONLY thing I like. I like a wide variety of music drawn from a wide variety of sources. (*And partly because I have not been as accomplished a performer as I am currently, and have never thought professionalism should count more than friendliness in this non-pro, community-based venue.)
I do think that there's something about filk (sf related) music that's special to fandom and should be respected for that if nothing else. It's the tradition of our tribe and ought to be preserved in face of the seductive influx of music from other cultures. So, for about six years I hosted a monthly filk circle and continue to attend them now that someone else is hosting.
And I was distressed when Minicon started scheduling Filk in rooms separate from the other music, and separate from the con suite areas where all the people, food and drink were to be found. And particularly distressed that none of the people doing the scheduling thought of consulting the filkers about what we wanted.
I'm torn on this issue. Because in my heart I'd love to see the musicians of this community take an 'All for One and One for All' stance - but I do see the practical difficulties of music parties that get too large for the available spaces, as well as taking too long to go 'round.
What I found at OVFF was a community that took the size problem in stride and planned for splitting into smaller circles when necessary. And planned on having a distribution of more accomplished and less accomplished performers in each circle, so that it didn't become a Cool vs Feeble Circle competitive atmosphere and things remained friendly all around.
I don't think filk should be separated out from general Music at minicon. I'd like to see one large or two smaller music areas side by side, open to whatever music all musicians concerned would enjoy playing and singing with each other.
At the Dessicated Dodo party last night I was talking with people running the next Minicon, and making the case for having the music right in the same area as the Con Suite. (It looks like the best bet is to take over the suite that Tor was using.)
jiawen asked me if I want to be in charge of music for MiniCon 43, and I'm looking into what that would entail.
I've been in the middle of this issue in Mpls since the early 90s. I've never liked the way the Snotty Elitist Musicians tried to distance themselves from all things Filk, splitting Minneapolis into two separate camps of music that don't exist elsewhere in fandom.
I got stuck in the 'Filk' camp, partly* because I do like music about spaceships and aliens and I like putting alternate (related) lyrics to existing music - but that's never been the ONLY thing I like. I like a wide variety of music drawn from a wide variety of sources. (*And partly because I have not been as accomplished a performer as I am currently, and have never thought professionalism should count more than friendliness in this non-pro, community-based venue.)
I do think that there's something about filk (sf related) music that's special to fandom and should be respected for that if nothing else. It's the tradition of our tribe and ought to be preserved in face of the seductive influx of music from other cultures. So, for about six years I hosted a monthly filk circle and continue to attend them now that someone else is hosting.
And I was distressed when Minicon started scheduling Filk in rooms separate from the other music, and separate from the con suite areas where all the people, food and drink were to be found. And particularly distressed that none of the people doing the scheduling thought of consulting the filkers about what we wanted.
I'm torn on this issue. Because in my heart I'd love to see the musicians of this community take an 'All for One and One for All' stance - but I do see the practical difficulties of music parties that get too large for the available spaces, as well as taking too long to go 'round.
What I found at OVFF was a community that took the size problem in stride and planned for splitting into smaller circles when necessary. And planned on having a distribution of more accomplished and less accomplished performers in each circle, so that it didn't become a Cool vs Feeble Circle competitive atmosphere and things remained friendly all around.
I don't think filk should be separated out from general Music at minicon. I'd like to see one large or two smaller music areas side by side, open to whatever music all musicians concerned would enjoy playing and singing with each other.
At the Dessicated Dodo party last night I was talking with people running the next Minicon, and making the case for having the music right in the same area as the Con Suite. (It looks like the best bet is to take over the suite that Tor was using.)
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There has been a long-time conflict between the SEMP performance and open filking circle music camps at Minicon, but I'm pretty hesitant to say that elitist musicians shouldn't have an invitation-only scene if that's what they themselves want.
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I'd like to see the Minicon-sponsored music circles get the facilities and support needed to make for parties enjoyable for the musicians and listeners alike.
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I think you can get open music parties in a location that isn't metaphorically Siberia; I don't think you've got much of a chance of persuading people whose thing isn't open music parties to participate, either as audience or performers.
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That's what I mean by 'facilities.' And, after talking with Concom members at last night's Dessicated Dodo party, it does look like there's support for putting music closer to the general party area, and the ConSuite's refreshments.
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Nah. Probably not a good idea, all in all.
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There are friendlier ways to handle the issue than has been done at MiniCon.
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I would never say that elitist musicians shouldn't have invitation only parties if that's what they want. But I do think the Open Circles should be set up to allow for a good experience for everyone interested.
I don't think invitational parties would be SO overwhelmingly attractive that everyone invited would obviously prefer them, if they didn't offer better features (food, drink, etc), and there were enough accomplished musicians ready to play in Open circles with comparable features.
The problem seems to arise when ALL the accomplished performers disappear into a private space leaving a few less skilled performers alone in a bare room far from the party spaces and far from refreshments.
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I saw a lot of in-group/out-group stuff going on at the con. Bleah.
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Obviously, they can do anything they want. They could also have private parties in their homes. But, when people who say "Oh, I'm not a snobby musician" then cut their non-cool friends to go to those private parties, they perpetuate the problem. The snobby party ends up sucking *all* the best musicians out of public space.
It just makes me so sad, and the rate things are going, I'm never going to get to an out-of-town convention again . . .
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But I wouldn't ask that of anyone to whom it doesn't come naturally and from the heart.
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Please consider that many of us who regularly attend Minicon are reaching the age at which it is common to have problems hearing a converstaion when there is a lot of ambient noise--which is exactly what music is in such a situation.
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Just a data point, not discussion
Re: Just a data point, not discussion
Re: Just a data point, not discussion
However, my hearing loss means that the standard volume-as-inverse-square rule is more like an inverse-cube rule, so take my evaluation with a heavy grain of salt.
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Good luck in trying to make the open filking more fun, and if there is anything I can do to help from over here in OVFF territory, please let me know.
Just for the record, Marcon, which would be a better equivalent to Minicon than OVFF, has a complete filk programming track that also arranges for circle splitting and seeds circles with skilled performers and so forth. They have one dedicated filk room during the day, in which they run concerts and filk related panels, and then they take over rooms from other programming tracks in the evening, when the other tracks shut down. Usually one room is an openfilk with a host, and the other room is usually a themed circle, also with a host, and there's a third overflow room available if anyone wants it. The circle hosts are treated like panelists. They have volunteered, and are scheduled for a certain block of time, and then either they get relieved by the next host, or if its late the circle goes hostless in the assumption that it will have built up its own momentum by then. They also get volunteer credit and access to the green room and so forth, as do the people doing concerts and filk panels and so forth during the day.
The filking is NOT by the consuite. But then none of the programming is by the consuite at Marcon, the consuite is heck and gone in the other direction, and I've never actually *been* there. I think what you want is a location that it is enough out of the way that those who don't want to listen don't feel like they can't get away, and yet close enough to the main thouroughfair that people can find it easily, and even, occasionally by accident. :) At Marcon that means the last room of a dead end hallway with seven other programming rooms in it. Anyone hitting any one of those rooms during the hours of regular programming would be aware of the occasional bit of music creeping out from the last room in that hallway, but it's enough out of the way that it doesn't inconvenience anyone.
Finding enough space is rarely an issue with filking because most filking happens after the other programming shuts down. Finding the right space *is*. You don't want to be next to the movie room or the ballroom or any guest rooms. The *most* important thing however, is that where ever you decide to be, you let the hotel know that it will be used for music programming and will be creating noise all night. Get them to agree, and get that agreement in writing and signed. Otherwise any one intolerant idiot who enjoys complaining can get you shut down just for the thrill that kind of attention gets him.
There is a story of the hotel trying to shut down the filking at OVFF. Hotels will obviously *try* anything ::rolling eyes:: It didn't work, of course. OVFF had a contract, and the contract said it was a music convention and that they had access to the programming space all night, and the police told the hotel "this is *your* problem", and walked out. But there are lots of other stories of filkers being promised space and the hotel weaselling out. Always get it in writing.
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Thanks for the tip! And the thoughtful post. It seems strange to me that Minneapolis finds it so hard to handle this issue in a such sensible ways as we see other cons do. Probably has something to do with the people concerned failing to come together long enough to discuss the matter, or lack of unbiased moderators to help that process along.
Mainstream versus filk
I know that I am treading on thin ice here, and I certainly don't mean to imply that filk is any less valid or creative than any other form of musical expression, it is certainly more creative than some. I'm just saying that, as someone who does not have a passion for filking, it would be less enjoyable to me to have to wait a turn to play in a large circle where people were playing music that might not interest me, or that might be very long and involved. I have been in some of the circles, both mixed and SEMP (if that is what I think it is) that were huge, where it took an hour for a turn to come around, where some people just didn't really "get" the dynamics of the circle, and it was very painful to sit through.
With all of that pussy-footing around, I guess what I would like is to see filk on an equal footing with non-filk circles, not cast in competition with each other and not forced to cohabitate either. In an ideal convention/party world, the mainstream music circle and the filk circles wouldn't be going at the same time, and both would be put in comfortable and accessible and open venues. That way people who wanted to participate in both could have the opportunity, and those who weren't interested in one or the other wouldn't have to endure something that they didn't enjoy.
I truly hope I haven't offended anyone here. So many of my friends are in one camp or the other, and some of them are in both camps. Sigh...it's so complicated.
Re: Mainstream versus filk
Although I prefer a mixed circle, I do like the idea of having room for several circles with different styles if that's what the musicians involved prefer. At some cons, as ladylavender was saying above, they do this, and even specify particular themes for some circles.
I don't enjoy equally every song that comes up, regardless of what kind of circle it is. There's always going to be something that seems tedious compared to my personal favorites. And there are darn few performers with whom I couldn't find some fault if they asked for a critique. But I tend to think it's worthwhile to sit through some things I don't like as much, in order to have a circle where more people feel welcome.
The circles aren't just about music to me, they are about hearing what comes from the hearts and souls of the members of my community. And if I liked every performance as much as I like my favorites I'd never be able to tear myself away from the circle long enough to visit the bathroom. And that would be trouble. :)
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I'd say you put your view very diplomatically. And I would completely agree that ". . what filkers want out of a music circle may be different from what other musicians want out of a circle". One of the primary values of the filk community these days, at least at the cons I go to, is to encourage everyone to express themselves. In the short term, that does lead to some performances that range from less-than-professional to not-very-good-at-all. In the long term, I find it leads to a lot of people getting better at it with time, which I regard as, well, joyous. For more, take a look at this link (http://www.filking.net/filkfaq/what-is-the-filk-community), where a number of people, including me, talk about what the filk community means to them.
I don't bear any personal animus against the "snobby elitists". They're just a bunch of long time friends, who like to get together and make music with each other, and keep control of who they invite to their parties. And I certainly don't think any less of Nate for attending - they're his long time friends too. (If the Tor Books party was a SEMP party, that probably just means it was being run by Patrick and Teresa, who are both editors at Tor, and part of that circle of friends.)
Questions, from someone who's never been to Minicon: Does the SEMP party take place in a hotel room, or a function room? If it's a hotel room (which I suspect, given usual hotel policies on outside food in function spaces), who's paying for the room, and who's paying for the food and drink? If it's the people throwing the party, then they have the right to handle things as they see fit. If it's the con, well, I would object on principle to part of my membership money going to any purpose that's not available to all members.
Most of the filk circles I go to are in function rooms, and as such aren't allowed to bring in non-hotel food and drink. Getting a room that's closer to the con suite may well be possible, depending on hotel layout. Getting facilities equal to those of a private party probably isn't. Nonetheless, if I ever make it to Minicon, the open filk is where you'd find me.
Re: Mainstream versus filk
The problem that some of us had with it, was that almost every musician who attended the open music circles was invited, so that the few who were not invited were left on our own with no alternate circle to attend.
I got together with a couple friends and we made some music in our small way - but it was nothing like the fun of getting a larger circle together. The effect was, as Nate pointed out, more 'outvitational' than invitational, and, while I consider it a waste of energy to harbor resentments, some people felt very hurt.
Re: Mainstream versus filk
I don't have a problem with invite-only circles, no more than I have a problem with individuals or select groups of musicians scheduling a performance in con space which by definition is limited by the number of time slots that are available. I would have a problem if that monopolized the music entirely though, or forced other filkers to play off in some isolated spot somewhere.
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(I have no ties to Minneapolis, so I'm just an interested observer here.)
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That wasn't why I skipped the Tor party, though. My ankles were +4 pitting edema by then so I spent Sunday night in bed with my feet up on pillows.
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I'm sorry to hear about the trouble with your ankles. I got a small open circle going in the bar for a while on Sunday, and another singer would have been welcome.
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The ankles are always bad when I sit up straight for most of the day. At home, I use the recliner most of the time.
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